She is interested in criticism as a discursive, expansive genre as it relates to
contemporary art practices and conceptual discourse.
She is the founder and editor of Art & Order Journal and Relative Press —
two projects that correlate to time, both as concurrent and long-term publication practices.
***
Selected Writings, PROJECTS, AND PROGRAMMING
2025
Review: “So to Speak: On Niloufar Emamifar at Progetto” Art and Order Journal, online
Review: “On Lauryn Youden at Circuit Lausanne” Frieze, online
Reading: “The Sitting Ovation Sessions: On Silence” with Max Guy, Good Weather, Chicago, transcript/audio forthcoming
Reading: “The Sitting Ovation Sessions: On Certainty” with Jennifer Teets, Agence de Voyage, Paris
Essay: “My Roman Empire” Jan Vorisek at Kunstmuseum Winterthur, Swiss Institute catalogue*
Review: “On Henrik Olesen and Isidore Isou” Frieze, no. 254 (August 2025), online
Reading: “The Sitting Ovation Sessions: Artists and Writers/Writers and Artists” with: Angharad Williams, Genevieve Lipinsky de Orlov, Katharina Hausladen, Mira Mann, Dorota Gawęda and Eglė Kulbokaitė. Event series presented at the Swiss Art Awards, Basel. June 17-19, 2025
Publication: “Sitting Ovation: A Study in Slow Criticism” with: Angharad Williams, Genevieve Lipinsky de Orlov, Katharina Hausladen, Mira Mann, Dorota Gawęda and Eglė Kulbokaitė, edited by Brit Barton, edition of 300. Not for sale
Profile: “The Risk Analyst: On Virginia Ariu” Mousse Magazine, no. 92 (June 2025), online
Essay: “Quick to Feel, Slow to Say: Five Texts on Unstructured Feeling”, Untitled ETH publication
Lecture: “The Hidden Texts of Lauren Berlant” with Waves at Kunsthalle Zürich, Zürich
Review: “Past Tense, Present Tensions: On Mathias Poledna” Texte zur Kunst
2024
Review: “On Ian Penman’s Fassbinder: Thousands of Mirrors” The Public Review, online
Essay: “City Slicker” Max Guy at the Renaissance Society, The Renaissance Society catalogue*
Lecture: “Power, Corruption, Lies: On Andrea Fraser at LUMA Westbau” at the University of Zürich
Review: “Horror Patriae: Steirischer Herbst ’24, Graz” Mousse Magazine, online
Essay: “Pope.L 1955-2023” Texte zur Kunst, no. 134 (June 2024)*
Essay: “Sleights of Hand and Circumstance” Karen Moser at Stadtgalerie Bern, Stadtgalerie catalogue*
Letter: “An Encapsulated Audience: On Jan Vorisek” PW Magazine, online
2023
Review: “Interdependencies at Migros Museum” Mousse Magazine, online
Essay: “Push Comes to Shove: Fugacity at Linnahall” PROVENCE*
Essay: “A Review of a Review Makes it a Feature: with Iris Touliatou” PROVENCE*
Review: “False Friends: On Iris Touliatou’s Gift at the Kunsthalle Basel” The Public Review, online
Discussion: “On Video Art Today” with Ian Wooldridge at Blue Velvet Projects
Reading: “Pippa Garner: Selected Readings” with Hard to Read at the Kunsthalle Zürich
2022
Profile: “Don’t Flinch: On B. Ingrid Olsen” Mousse, no. 82 (December 2022), online
Review: “Autoerotics: Pippa Garner at Kunstverein München” Texte zur Kunst, online
Essay: “The Anxiety of Autobiography: Trajal Harrell” PAJ: MIT Press, vol. 44, no. 3 (Sept. 2022)*
Review: “Monotonous Methods: Dora Budor” Texte zur Kunst, no. 126 (June 2022)*
Review: “Sisyphus in Vortex: Laura Grisi” Texte zur Kunst, no. 126 (March 2022)*
*PDF available upon request
Education, Awards, and Fellowships
2024
Swiss Art Awards: Critique, Publishing, Exhibition (Laureate)
2018
Chicago Manual of Style Certificate, Graham School at the University of Chicago
2016 - 2018
Inaugural Artist Award and Fellowship, the Arts Club of Chicago
2017 - 2018
Teaching Fellowship, the University of Chicago, Department of Visual Art
2016
Master Fine Art, the University of Chicago, Department of Visual Art
Thesis advisors: William Pope.L and Matthew Jesse Jackson, Ph.D.
2011
Bachelor Fine Art, Texas State University, School of Art and Design
Major: Photography, Double minor: Philosophy, Honors Studies